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Kiss Me Deadly
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by MGM (Video & DVD)
Sales Rank: 8424
Price: $14.95
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<I>Kiss Me Deadly</I> starts off with a bang--a young woman (Cloris Leachman) in bare feet and a trench coat runs along a highway, frantically trying to flag down help. In desperation, she finally throws herself into traffic, and the car she stops belongs to detective Mike Hammer. The pace never lets up--we're not even 15 minutes into the movie and there's already been a murder, a mysterious letter, an attempt to kill Hammer, and, of course, a warning to just stay out of it. Hammer, tired of lowlife divorce cases, smells something big and can't let it go. The film is exciting, about as dark as a noir can get, and full of skewed camera angles and mysterious whose-shoes-are-those shots. At the center, of course, is Mike Hammer, a detective so cool he can win a fight with nothing more than a box of popcorn as a weapon. Hammer knows his opera singers as well as his amateur prizefighters, and he makes the ladies swoon, but he's far from a conventional hero. In fact, he's rather emphatically not a nice guy; Hammer happily whores out his secretary-girlfriend Velma to cinch up those divorce cases and has a penchant for slamming other people's fingers in drawers. Even the bad guys know he's a sleazebag. ("What's it worth to you to turn your considerable talents back to the gutter you crawled out of?") Ralph Meeker plays Hammer's ambivalence brilliantly, swinging easily between sexy and just plain mean. <I>Kiss Me Deadly</I> is just terrific. Stop reading this review and watch it already. <I>--Ali Davis</I>
Viewer Reviews
Mike Hammer is transplanted to the left coast in this overrated but entertaining cult classic. Rather than being a two-fisted gumshoe, here Mike does sleazy divorce work and practically pimps out Velda. The picture starts off strong, but sinks into a very convoluted plot. The thrills come from the ahead-of-it's-time violence -- some of the most sadistic of which is handed out by Hammer. The picture also takes the cynisism of 50s noir and extends that to the political climate with it's much vaunted apocalyptic ending. This seems to lay the groundwork for 70s thrillers like Parallax View and Three Days of the Condor with their paranoia and suspicion.
Meeker's okay, but the picture might play better if the other women were as good as Cloris Leachman in the opening scenes.
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